Yoshimura wrote: ↑19 Aug 2024, 13:09
We're going back 25 years at this point, but I believe they were conversations I had with writer Mark Sheriffs at the time. There were loose character bios floating around as well (in paper form) and educational material so I doubt I would've plucked the age out of thin air. I seem to vaguely remember that the TGFT videos I used to borrow from the local Woden library had a paper explanation to plot in then as well
It would be wonderful if you could find the bios if you still have them- but obviously no rush as I know you are currently injured!!

🩹
I would love to see them, and I’m sure I’d find them very interesting!
I don’t think TGFT or TE were ever released on VHS in Britain. I have seen images online of the VHS box of the first series, but I don’t know what was written inside the boxes. However I do have the DVD sets of both series which were released much later.
On the TGFT DVD box, and on the promotional posters that Mark Shirrefs posted to me, it is written that Alana is 13, but she says herself in the show that she is 14, and she is 14 in the books. So I believe that someone else wrote the text on the promotional posters and DVDs (their writing style is different to Mark’s too) and made an error.
Could it be that the paper bios or the text from the VHS boxes were not written by Mark, and that’s why there’s an inconsistency regarding Silverthorn’s age?
Or it could be that Mark Shirrefs himself simply made an oversight, despite being a fantastic writer?
I have an enormous respect for Mark and will always be grateful to him for creating my favourite show, but if he told me that Silverthorn was only in his early 30s then I would (very respectfully and politely!!

) say that it couldn’t be possible, because the maths of Silverthorn’s age in relation to James Rooney and in pretending to be Eddie’s father literally would not add up. If Silverthorn was that young, then he would be claiming to have fathered Eddie before he was old enough to grow facial hair!!
Even the best writers can make small continuity errors as they have a lot of different threads of their story to think about and lots of subplots going on with different characters at the same time. Usually these little errors go by unnoticed except by ultra observant people, OR by hardcore fans like me who have re-watched their favourite show several times and suddenly notice them many years later.
For example the name of Jenny’s school changed from Eastlake (first series, when the children phoned the school and used PJ to imitate Irene’s voice) to Eastwood (second series, when James was at the police station) and finally Eastern (written on the equipment cases when James and Irene pretended to be film makers). I would be amazed if there was any TV show or film in existence in which zero mistakes were made at all!!
I thought it was amazing how many different subplots and different alternate universes Mark Shirrefs and John Thomson had going on all at once when they wrote Spellbinder: Land Of The Dragon Lord. Usually when there are that many characters and subplots (for example, in a soap opera) there are a whole team of writers working on the various storylines. But somehow Mark and John were able to keep track and pull it off, and I didn’t notice any errors in Dragon Lord, although I have only watched that series once, whereas I have lost count of how many times I have watched TGFT and TE over the years.
Another possible explanation could be that Mark wrote the bios at a very early stage, possibly before writing the script and prior to the casting and production of the show?
Perhaps he originally intended for Silverthorn to be younger, before coming up with the plot device of Eddie pretending to be Alana’s brother at the Children’s Home, a moment that in my view was comedy gold during an otherwise very scary scene, the way Eddie popped up with a big grin and said “Hello sis!!”
If Silverthorn was in his early 30s then he could convincingly claim to be Alana’s father but not Eddie’s, but since the actor cast as Silverthorn was closer to 40, I could imagine Mark Shirrefs thinking “Hmmm, actually he could get away with claiming Eddie was his son too, that could be funny…”
Incidentally, I think that Silverthorn’s plan and fake story to abduct Alana was one of the most clever and creative ideas Silverthorn came up with. It was absolutely foolproof, unlike some of his other more reckless and impulsive ideas.
I guess this was because at that point in the story, Silverthorn was in such a dire situation, having run out of medication and needing to capture Alana so that she could heal him. It was a matter of life and death, so he couldn’t afford to f**k it up, or allow Eddie to f**k it up (apologies to the Admin if we aren’t allowed to swear on this forum!!

). And he had to carefully think through every detail.
He knew that Alana would be terrified upon seeing him and would freak out and try and escape, so he invented an elaborate backstory about her being mentally ill. A story that would be much more convincing to people in 1990 than Alana’s claims that she and Silverthorn were from the future, which were of course 100% true, but would sound like paranoid delusions to everybody else.
He also wanted to get Alana out of there as quickly as possible without the staff becoming suspicious, but having his chauffeur Eddie grab and physically drag Alana out of the building would be an inappropriate and disturbing sight. But if Alana’s big brother was to turn up and physically restrain Alana under the guise of giving her a big hug… that would be perfect.
This writing was a perfect example of the writers putting themselves inside a character’s head and vividly imagining how the character would be thinking in a situation!
